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The Museum has a representative collection of various forms of art from India and to a certain extent, Far-Eastern art, Nepal and Tibet. The Natural History section is a major attraction for children.
Ancient Indian art is represented by the Stone Sculpture gallery with sculptures from Elephanta and other important sites especially from Western India. The Indian Miniature Painting collection represents one of the best collections of miniatures in the country. The Museum also has a magnificent collection of Decorative Art objects in jade, wood, ivory, metal and textiles. The Nepalese and Tibetan artefacts are ascribed to important religious and artistic phases of these regions. The Numismatic collection, acquired from various well-known hoards and also from individual collections, covers an entire range of important issues. The Museum houses an interesting collection of Chinese and Japanese porcelain, metal and ivory objects and embroidery. European oil paintings and Indian arms and armour also form an important part of the collection.
The Museum collection comprises purchased artefacts as well as gifts by generous donors like Sir Ratan Tata and Sir Dorabji Tata. The major section of the European and Far-Eastern art and also representative examples of Indian art belong to this collection. The priceless artefacts from the Buddhist site of Mirpurkhas, excavated by renowned archaeologist Henry Cousens in 1909 are an important part of the Museum collection. Seth Purushottam Mavji’s collection of antiquities and miniatures along with a multitude of other collections such as those of Sir Akbar Hydari, and Karl and Meherbai Khandalavala as well as antiquities acquired from the Archaeological Survey of India have contributed towards the grand collection of the Museum. |
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Steel with gold damascene 1581 A.D. Helmet : (Ht: 29.9× Dia: 20.2 cms) Breastplate : (Ht: 42.2× Dia: 37.3 cms) Armguards : (L: 32.6× Dia: 11 cms) Sir Ratan Tata Collection (Acc. Nos. 22.4028, 22.4054, 22.4007, 22.4122). The cuirass was common during the Mughal period and seems to have been more popular than the coat-of-mail. It is made of two pieces, a breastplate and a backplate. This breastplate was probably moulded to the shape of Emperor Akbar’s torso. The backplate, which was attached with hinges, is missing. Notice the high neck collar, intended to protect the throat. This is an uncommon feature in Indian armour. The quality of the steel, the high water mark and the distinct damascened work indicate that the armour was manufactured with great care. Emperor Akbar personally supervised the production of his arms. In his memoirs, Akbar mentions in great detail the process and the tests he carried out to select his armour. The helmet is decorated with delicate gold damascene and has a spike at the apex. The two arm guards are decorated in koftgari along the edges. The breastplate has a decoration along the sides and on the lowerrim. In the centre are inscriptions from the Koran in fine Nastaliq script. The inscription on the collar reads: “The personal garment of the emperor of lofty fortune, Akbar. Year A. H. 989 = A. D. 581.” |
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